Buffalo, 1901. The Pan-American Exposition has turned the city into a temporary boomtown — eight million visitors, fairground spectacle, electric lights blazing. Underneath all of it, a killer with a pattern and five women who recognize it before anyone with a badge does.
The Buffalo Butcher uses its setting the way great travel writing uses place — not as decoration, but as an active force that shapes what’s possible and what isn’t. The social geography of late-Victorian Buffalo determines who gets protection and who doesn’t.
The five women at the heart of this story aren’t waiting for rescue. They’re moving through dangerous terrain and making their own map. That’s the journey worth following.
BUY THE BOOK HERE